The link between in  the arts and the environment in which art is produced have  been firmly established over many centuries. The starting point of my work as both a composer and a researcher is my contention for composers to contribute to the evolutionary continuum for music like living, breathing art, their work must resonate with reflect the modern world in which it is conceive.

This poses is challenge for the progressive composer intent on explore new ways of organized pitch, harmony and texture to take music forward at twenty-first century. There for  is an obvious contradiction between our desire to pursue an intellectually robust and aesthetically challenging agenda whilst simultaneously responding to a sound bites culture which is the product of intense commercialization and populism.

 

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Movie Hits

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  • Our immediate response is to consider to composing music in relatively concise sound bites can offer the opportunity to present multiple progressive ideas .

Album Hits

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  • The other more pressing concern was my inability to satisfactorily develop material presented in sound bite form to its proper potential because of the time

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eestas sed

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themes to the unfamiliar audience in a form they may be able to cope with whilst not in any way diluting the content of the music itself

Maecenas

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Transitional material would also be deployed between some contrasted sound bites both are purpose of following a more transformational approach in order to avoid too many abrupt changes between sections of music.

sollicitudin

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The real breakthrough arrives during the composed of a chamber work entitled “As the facts emerge” for a performance by the Nomo’s Project of 1889.

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